<<
>>

nonverbal components of love dialogue: communicatively-pragmatical aspect

The purpose of the given work as it was already mentioned, is not the description of subgenres within the limits of LD is actually system-genristicheskoe - these subgenres are allocated for achievement bolshej scientific objectivity of the description of object.

Work is aimed at possibility to show application potential in research of the maintenance of discourse LD of various research techniques of the analysis; considering obvious distinctions in subgenres, it is logical to assume, that for the description of different subgenres different research techniques can be effective in different degree. Thus we at all do not support exclusiveness of application of this or that technique only to a concrete subgenre and for its deducing from a spectrum of research procedures for other subgenre. The technique choice is defined as properties of a concrete subgenre, so, on - visible, and preferences of the researcher. For example, demonstration of being LD can be convex enough is presented on the basis of a frame method, and the semiotics variation of behaviour of participants LD is convenient for investigating with application of the taktiko-strategic approach. Thus we believe, that it is possible to see the general line in all techniques of the analysis presented in the present dissertation - their support on toposnyj a principle.

Aktsionalnye nonverbal components of dialogue as a whole and LD, in particular, make a powerful part in interpersonal interaktsii. Their role can vary from auxiliary (accompanying verbal actions - that as shows the case of the seen texts, in most cases and it is observed) to the dominating. In our opinion, domination consideration neverbalnosti as special semiotics variant within the limits of LD represents separate research interest - already owing to its smaller harakterizatsii in the linguistic literature. Thus presence neverbalnosti, undoubtedly, leans against the general joint knowledge kommunikantov about behaviour principles in concrete situations. Differently, at intentsionalnom behaviour the Actor should believe, that the Addressee correctly distinguishes it intentsii.

Actions of the Actor

() the Strategy directed on decoding by the Addressee.

Such intentsy it is possible to carry creation to number at the Addressee of impression about reliability of the Actor as persons in the behavioural relation. For example, in Russian-speaking culture the positive image of the man is connected with reliability (defender). This image is effective in family relations - as in not-love (the father, the brother), and in love (husband). As forming of dominating relations from the man often is under construction so that to make at the woman impression about sincerity of creation by it of the relations conducting to marriage, the man can choose named aktsionalnuju strategy. Thus components of the given strategy will receive the demonstration characteristic.

In art texts such strategy can eksplitsirovatsja the author of product or remain verbally not expressed, implitsitnoj (in below-mentioned examples of its tactics are supplied by a badge, accordingly, E and) is, undoubtedly, facilitates a problem of the researcher in respect of an establishment of substantial components of dialogue of characters. In other cases the researcher should do it most.

As an example we take Anatole Kuragina's communicative behaviour, the character of "War and peace" L.N.Tolstoy in episodes of its meeting with knjazhnoj M.Bolkonskoj and countess N.

Rostovoj. Thus LD appears in different subgenres - in the form of Courting, Flirtation and even Sticking (we, as well as above, we give at analysis a corresponding dung if it is obviously necessary for specification of a being of the phenomenon). Realisations of strategy of Reliability receive characteristics (tactics) of self-confidence (S-uv), calmnesses (Spock), persistence (Ice crust), courage (Husband), skills to communicate (Clod).

We found pertinent to give corresponding comments on nonverbal signs in square brackets.

Tactics самоуверенности:у it but was precious for light... Nothing changeable confidence...

() (S-uve): (Courting)

She only has felt the gentle hand which has firmly taken it. [gaptika];

When after a supper began to disperse, Anatole has kissed a hand knjazhny... [gaptika];

Such is self-confident-gentle expression was in its tender sight and a smile. [kinesika (a mimicry)];

(Episodes of meeting Kuragina with knjazhnoj Marej and on ball at Bezuhovyh).

() (S-uvja): (Flirtation)

Anatole was silent [silentivnost], shook a foot [kinesika (gestures)], cheerfully observing a hairdress knjazhny... [okulesika];

Tactics спокойствия:... It but had precious for light an ability of calmness.

() (Spoke): (Flirtation)

In one of minutes of awkward silence [silentivnost] during which time Anatole the convex eyes easy and persistently looked at it. [okulesika];

() (Spock//): (Flirtation)

Shaking one set aside foot and slightly having inclined a head [kinesika (gestures)], silently [silentivnost], cheerfully looked on knjazhnu. [okulesika]

Speaking it, it did not lower smiling eyes from the person, from a neck, from Natasha's bared hands. [okulesika];

Persistence tactics

() (Naste): (Sticking)

When it turned away [kinesika (gestures)], she was afraid, as though it behind did not take it for a naked hand [gaptika], would not kiss her on a neck... [gaptika];

But only that she has turned away [kinesika (gestures)], it has thought, that it here behind so is close from it [proksemika].;

() (Nastja): (Sticking)

Anatole has moved to Natasha a chair and the count who was not lowering an eye from Natasha [okulesika], villages beside it [proksemika] wished to sit down beside [proksemika], but. Anatole has sat down behind [proksemika].;

Anatole has invited Natasha to a waltz and during a waltz it, shaking its camp and a hand [gaptika].;

Anatole spoke nothing to it [silentivnost] and only looked at it [okulesika].; In the end of the first figure it has again shaken hands with it [gaptika].;

Where it was, with whoever spoke, she felt on herself its sight [okulesika].;

In small divannoj to it there was Anatole [proksemika];

- And it, covering it road, approached the person to her face [proksemika];

Brilliant, big, its man's eyes so were close from her eyes, that she did not see anything except these eyes [proksemika].

Tactics skills to communicate (Clod).

Anatole rather willingly answered the Frenchwoman and, smiling, looking at it [okulesika], talked to it about its fatherland.;

Its eyes, laughing and rejoicing, looked on knjazhnu Marju [okulesika].; (Flirtation) when after a supper began to disperse, Anatole has kissed a hand knjazhny [gaptika].;

Anatole. Has sat down by it [proksemika] and has told, that for a long time wished to have this pleasure, even from Naryshkinsky ball on which it had pleasure which has not forgotten, to see it.;

It had the most naive, cheerful and good-natured smile.; he has told, suddenly addressing to it, as to the old old acquaintance...; has told to it how in last performance Semenova playing, has fallen.; he has told, suddenly addressing to it, as to the old old acquaintance.; Anatole has smiled, as though encouraging it. (Courting)

Courage tactics (Muzhi):

Anatole, having put in pawn the big finger of the right hand for the clasped button of a uniform, with the breast curved forward, and back - spinoju. [kinesika (gestures)] (Flirtation)

In other cases the Actor can believe, that glory of the temper trying to keep step with it not necessarily leaves a negative mark on its image.

() Strategy, ambivalent for decoding by the Addressee - here is allocated tactics indifference Demonstration (Dem-Bezr) - though others are essentially possible also.

Tactics «indifference Demonstration» («the less woman we we love, the we is easier like it») (Dem-Bezre):

silently, cheerfully looked on knjazhnu [okulesika], probably is perfect about it not thinking (Bezre) (Flirtation)

() the Latent strategy the DECEIT.

Anatole's sight though has been directed on it, concerned not it, and to leg movements m-lle Bourienne [okulesika; kinesika] which it touched at this time svoeju nogoju [gaptika] under a piano (Deceive) (Flirtation)

Actions of the Addressee.

These jet actions have other orientation, than at the Actor. However the Addressee-victim can not only resist and be indignant concerning possibility of manipulations, but also guess them and meet half-way actions of the Actor. Thus actions of the Addressee can answer strategy definition (at their sensibleness), and can be simply jet. In episodes A.Kuraginym there were only actions of the second version.

Jet actions. It is possible to carry to them: Shyness (Stes) from behaviour (the partner () own; nedoumevanie (ned); Reaction to skill to communicate (R ow); Vanity (Tshchesl).

Let's repeat, that such reactions are more difficult for describing in terms with expenditure gy, as: () strategy assume as a whole participation equal in rights in dialogue dialogue; () strategy intentsionalny, i.e. are directed on change of behaviour of the partner. It it is not observed at the named jet actions.

Sincere anxiety as reaction to bad glory of the partner

. Natasha was strange and pleasantly amazed with that not only there was nothing such terrible in this person about whom so told much.) she felt, that in its not clear words there was an indecent intention.; (sticking)

Shyness from behaviour of the partner (in brackets, as well as above, it is underlined the subgenre, instead of actions of the Addressee)

. She thought , not daring to look at his face [okulesika], feeling all the same sight directed on [okulesika] (Stese).; (Flirtation)

She did not know, how at it has got boldness (Stese), but she has directly looked at the beautiful face which has come nearer to its short-sighted eyes [okulesika].; (Flirtation)

To it to it was pleasant, but for some reason to it it became close and heavy from its presence [proksemika] (DurSl + Stesi).; (Sticking)

When she did not look at it [okulesika], she felt, that he looked at its shoulders [okulesika], and it involuntarily intercepted its sight [okulesika] that he looked at her eyes [okulesika] (Stesi) is better.; (Sticking)

Shyness from own behaviour

She with fear felt, that between it and to it absolutely there is no that barrier of bashfulness which she always felt among themselves and other men [a substitute proksemiki] (Stese)...;

And again she with horror felt, that between it and it there is no barrier [a substitute proksemiki] (Stese).;

Natasha has asked and has reddened. Constantly it seemed to it, that indecent it does something, speaking with it (Stesi).;

Feeling. Fear for absence of moral barriers between it and imm [a substitute proksemiki] (Stese), has captured it.;

Vanity

The feeling of vain pleasure, that it is pleasant to it (Tshchesle), has captured it.;

Reaction to skill to communicate of the partner

It, itself not knowing as, in five minutes felt is terrible-close [a substitute proksemiki] to this person (R-Komi).;

nedoumevanie

Natasha looked back on Elen and at the father as though asking them, that such it meant [okulesika] (nede)

So it was necessary for it, that he has told this word which would explain it that happens and which she would answer it (nedi)

Jet actions of the Addressee-victim correspond both with nonverbal, and with verbal actions of the Actor.

2.2.3.

<< | >>
A source: KOTELEVSKAYA ELINA IGOREVNA. MONOLOGIC ASPECT of the LOVE DISCOURSE: EXPERIENCE of the SUBSTANTIAL ANALYSIS. The dissertation on competition of a scientific degree of a Cand.Phil.Sci. Kaluga - 2016. 2016

More on topic nonverbal components of love dialogue: communicatively-pragmatical aspect:

  1. 2.3.7. Communicatively-pragmatical strategy in UPD
  2. 2.3.6. Communicatively-pragmatical strategy
  3. 2.2. Communicatively-pragmatical categories UPD
  4. 4.3.3. Communicatively-pragmatical (faticheskie) speech genres
  5. a choice of a research paradigm: a parity germenevtiyocheskogo, communicatively-pragmatical, kognitivnogo and psiholingviyosticheskogo aspects in modality studying
  6. nonverbal behaviour of the person in gender aspect
  7. research of language parametres of love dialogue: a problem condition
  8. 1.4. Principles of speech dialogue from a position of the pragmatical theory of politeness
  9. pragmatical parametres of dialogue
  10. the chapter the second FEATURES of the ANALYSIS of the MONOLOGIC FORESHORTENING of love dialogue
  11. the Third chapter «Empirical research kognitivnogo and emotional components of feeling of love at people of youthful and adult age»
  12. Ekimchik O. A.. Kognitivnyj and emotional components of love at people of different age, 2009
  13. Is situational-pragmatical aspect
  14. Is situational-pragmatical aspect
  15. Is situational-pragmatical aspect