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INTRODUCTION

metaforizatsii in the XX-th century such scientists, as J.D.Apresjan, N.D.Arutyunov, L were engaged in Studying of a metaphor and processes. V.Balashova, A.N.Baranov, N.A.Basilaja, N.I.Bahmutova of L. V.Belozerov, N.D.Bessarabova, E.
V.Bespalov, M.Blek, B.A.Brodskaja, E. V.Budaev, G.A.Buchina, A.I.Varshavskaja, L. M.Vasilev, A.Vezhbitskaja, V.V. Vinogradov, V.N.Vovk, E. M.Volf,

B. G.Gak, B.M.Galeyev, L.D.Gudkov, L.J.Dmitrishin, I.I.Dubrovin

D.Davidson, A.N.Eremin, S.L.Erilova, O.P.Ermakova,

G.A.Ermolenko, V.I.Zimin, O.S.Zubkova, O.S.Kamysheva, N.S.Karpova, R.D.Kirimov, T.B.Knjazevskaja, N.A.Kozhevnikova,

C. B.Kozinets, M.N.Konnova, V.I.Korolkov, A.I.Kostjaev,

E. G.Kotorova, I.A.Krylov, N.F.Krjukova, J. Lakoff, M.Johnson V.V. Lapshin, O.N.Laguta, J.I.Levin, S.A.Logachyov, V.V. Lopatin, And. G.Luzin, J.L.Ljasota, O.A.Makarova, E.Makkormak, V.L.Matrosov, N.A.Mishankina, V.P.Moskvin, V.A.Meshcherjakova, E.A.Nekrasov,

M.V.Nikitin, O.I.Nikiforova, N.L.Novikova, V.V. Ovsyannikov,

E. O.Oparin, E.I.Osipov, I.A.Petrov, N. V.Polozova, A.A.Pshenkin, E.A.Polzju, E.I.Rezanova, E. V.Ryzhkova, And. P.Rjaposova,

N. O.Samarkina, I.F.Sarkisyan, And. V.Sibirjakov, T. V.Simashko, And. V.Telesheva, N.A.Turanina, G.N.Skljarevskaja, V.N.Telija, E.T.Tcherkasov, N. V.Tchernikov, And. P.Chudinov, O.V.Chursin, E. V.Shitikova, And. V.Shpak, V.I.Shuvalov V.K.Harchenko, V.V. Petrov, D.N.Shmelev, R.Yakobson, etc. Works of the given researchers make theoretical base of the present dissertation.

The analysis of linguistic works has shown, that the musical lexicon already drew to itself attention of researchers. So, in work N. G.Tkachenko (1998) gives the system description of musical terminology, thematic classification of musical terms is received, in O.N.Nadolskoj's dissertational research (2006) the major features of existence and functioning in Russian of terminological system musical ispolnitelstva are defined; in O.S.Kamyshevoj's works (2009) and L. I and O.V.Chursinyh (2009) is investigated kognitivnaja a musical metaphor, models of metaphorical carrying over, characteristic for musical lexicon of modern English language are allocated, comparative research of metaphorical models of mental area "music" is carried out Russian and English fiction of the XX-th century; in S.B.Kozintsa and K.A.Solomatina's article (2011) processes metaforizatsii some musical terms are analysed.

However complete studying of processes metaforizatsii in sphere of musical terminology it was not spent, though the musical lexicon representing the important lexico-semantic group, nominates processes and the phenomena, relevant for a society life.

The urgency of the given research is caused by following factors:

- Increasing interest of modern linguistics to processes metaforizatsii;

- Absence of complex research of a musical metaphor;

- Necessity of revealing of innovations for metaphorical use of musical lexicon.

As object of research, taken by a method of continuous sample of the Big explanatory dictionary under the editorship of S.A.Kuznetsova, Russian dictionary the lexical units entering into semantic sphere "music" have served in 4 volumes under the editorship of A.P.Evgenevoj (MAS), the Dictionary of musical terms of E.A.Janyh, the dictionary of foreign musical terms of Kruntjaevoj T. S, Molokovoj N.V. As additional sources were involved: the Explanatory dictionary of Russian under the editorship of S.I.Ozhegova and N.J.Shvedovoj, the Big Explanatory dictionary of Russian nouns under the editorship of L.G.Babenko (2007); the Phraseological dictionary of Russian under A.I.Molotkova's edition, the Dictionary-thesaurus of modern Russian idiomatics under A.N.Baranova's edition, D.

O.Dobrovolsky, and also the basic National case of Russian (http://ruscorpora.ru).

Object of research are processes metaforizatsii lexemes of semantic sphere "music" in Russian.

The objective of this research consists in the analysis of processes of metaphorical carryings over of the lexemes concerning semantic sphere "music", and definition of specificity of types of metaphorical models, characteristic for musical lexicon.

The object in view assumes the decision of following problems:

1) to define theoretical bases of research;

2) to define quantitative structure of lexical units of semantic sphere "music";

3) to reveal the lexemes which have received metaphorical values;

4) to allocate semantic signs on which basis process metaforizatsii is carried out;

5) to establish types of metaphorical models, having defined directions metaforizatsii musical lexicon;

6) to reveal not fixed by the dictionary, i.e. neleksikografirovannye metaphors.

Total of allocated units - 732.

Total of the investigated contexts - 4256.

For the decision of tasks in view in dissertational research following methods were used: a descriptive method, a method

Contextual and interpretatsionnogo the analysis, and also semnyj and the quantitative analysis.

Scientific novelty consists that the complete description of a musical metaphor in Russian for the first time is given, semantic signs of formation of metaphorical values and a direction of metaphorical carryings over are revealed. Individually-author's, occasional metaphors are found out.

The theoretical importance of research is defined by the contribution to the general theory of the metaphor, consisting in revealing motivating this, causing processes metaforizatsii, in definition of directions of metaphorical carryings over, specification of modern representations about processes metaforizatsii, that has allowed to find out innovations in formation of metaphorical models.

The practical importance of work consists in possibility of use of results of research in lecture courses on leksikologii, stylistics, in special courses on metaforologii and at drawing up of dictionaries.

On protection following positions are taken out:

1. The lexemes which are a part of semantic sphere "music", are capable to metaforizatsii, but in a quantitative sense metaforizatsija musical lexicon is expressed poorly, that it is possible to explain its accessory to intellectual area. From 732 analysed lexemes to process metaforizatsii is exposed 68.

2. Process metaforizatsii lexicon of semantic (conceptual) sphere "music" occurs on the basis of the following motivating this: the tool form, character of sounding, "rate", "dynamism", loudness of a sound, a harmonious combination, etc.

3. The basic directions of metaphorical carryings over are: an artefact => the person, an artefact => abstract concept, an artefact => physical concept, an artefact => naturfakt, an artefact => an artefact, an artefact => physiological concept, musical concept => abstract concept, musical concept => physical concept, musical concept => mental concept, musical concept => the person, the person => the person, the person => abstract concept, the person => physiological concept.

Dominating metaphorical models of Russian musical lexicon are: musical concept => physical concept,

Musical concept => abstract concept.

4. The majority of lexemes of semantic sphere "music" represents neleksikografirovannye metaphors with difficultly revealed motivating semami.

5. Frazeologizatsija musical lexicon it is expressed poorly. The majority of phraseological units which structure includes lexicon of semantic sphere "music", are phraseological unities.

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A source: HOHONIN DMITRY EVGENEVICH. LEXICON of SEMANTIC sphere "music" in METAPHORICAL USE. 2014

More on topic INTRODUCTION:

  1. in introduction
  2. INTRODUCTION
  3. INTRODUCTION
  4. 10.1. Introduction
  5. INTRODUCTION
  6. approbation and introduction of results.
  7. Introduction
  8. Introduction
  9. INTRODUCTION
  10. INTRODUCTION
  11. Introduction
  12. Introduction
  13. INTRODUCTION
  14. Instead of Introduction …
  15. PRACTICAL INTRODUCTION OF RESULTS OF WORK