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Conclusions under chapter 3.

Alain-Furne, similarly Andre to the Jew, makes use of art experience Dostoevyosky in that, as to a sjuzhetno-composition method konklav, features huyodozhestvennogo time and space, receptions karnavalizatsii images and hronotopa.

All named receptions and features hronotopa are connected in Alain-Furne poetics with a principle of triple polyphony the same as at Dostoevsky. The theme of spiritual search as it is the most suitable form of its disclosing is connected with the same poetic principle.

However Alain-Furne, leaning against Dostoevsky's art experience, in the searches of the new form of the novel goes further the Jew, bringing more an originality essential element to structure konklava. It builds a novel composition «Big Moln», being conformed with own author's system konklavov and entering in strukyoturu two cores konklavov mikrokonklavov.

Alain-Furne subordinates composite unity of the novel «Big Moln» to own poetic principles - to a principle of compatibility of systems hronotopa and konklava, and also to a principle of compatibility of two chronological sequences of the succession of events, including author's reception retardatsii descriptions konklava and author's reception of a freeze frame.

Top wasps of the novel «Big Moln» it is similar a top wasp of novels of Dostoevsky. However some elements of space receive at Alain-Furne dopolniyotelnoe development - such, as open or closed doors and the windows connected with threshold time.

On the basis of Dostoevsky Alain-Furne art experience creates the hronotop which is characterised by special art time. It vreyomja is characterised by communication of a spiritual calendar of the novel with double system of holidays - Christian (Catholic) and the Celtic.

Time and space at Alain-Furne possesses centripetal nayopravlennostju actions to lock Sabloner. A considerable part of events proisyohodit in other places, but the outset, the culmination and an action outcome inevitably contact this lock and occur in its walls or near to it.

Reception studying karnavalizatsii the character of the novel «Big Moln» on the basis of motive of a mask allows to draw a conclusion on presence in the novel of influences of tradition of a national carnival along with its literary-romantic adaptation including eleyomenty poetics karnavalizovannogo of the character at Dostoevsky.

The motive karnavalnoj masks is connected with images Frantsa de Gale and its brides VaYolentiny Blondo. As to Valentina its image is complicated as "mask" of this heroine is not material, it has psychological character, therefore we name its mask of psychological conditions.

As to karnavalnogo hronotopa at Alain-Furne it is concentrated in two loci: lock Sabloner and the house of aunt Muanel.

The biographic aspect of perception Alain-Furne live national karnavalyonoj traditions is supplemented with its acquaintance to Russian romantic adaptation italyojanskogo a carnival in statements of Russian Seasons.

Art experience ' Dostoevsky's polyphonic novel has influenced working out in the novel «Big Moln» themes of a spiritual life of children's (teenage) community which is connected with a principle of triple polyphony.

Almost descriptions of leaders of teenage groups at Dostoevyosky and Alain-Furne completely coincide. Moln at Alain-Furne unlike Aleshi Karamazov has no spiritual instructor though at a draught variant «Big Molna» is present moyotiv search of the spiritual instructor.

Almost literal similarity of characteristics of Myshkin and Frantsa de Gale, enclosed in lips Nastasi Filippovny Lambskin and Valentines Blondo is found out. And also full semantic similarity of self-characteristics Lambskin and Blondo is available.

Under the influence of the autobiographical facts Alain-Furne concretises a theme duyohovnogo search Molna, focusing its attention to search of the beloved, that essentially distinguishes an image of the protagonist and a novel plot «Big Moln» from an image of Aleshi Karamazov and a subject line of its friendship with children in the novel «Brothers KaramazoYOvy». Alain-Furne in «Big Molna» has as though developed a subject line spiritual poyo
The claim and Aleshi Karamazov's friendship with children for limits of the written part of the novel «BraYOtja Karamazovy».

As to novel reference «Big Moln» to the category of the children's literature in France the carried out analysis allows to rank the novel as the phenomena of the adult literature. It is the novel about spiritual process of a growing of the young man, coming to the end obreyoteniem a blood family through the marriage which has arisen on the basis of experience of "family" spiritual.

Legal vzroslost Francois and Molna comes only in the end of the novel, but vzroslost souls and hearts not only them, and all heroes of the first row comes much rayonee is and allows to consider «Big Molna» as product for adults irrespective of passport age of the reader and its characters.

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A source: DUBINSKAYA Margarita Viktorovna. F.M.DOSTOEVSKY'S POLYPHONIC NOVEL And CREATIVITY of FRENCH WRITERS-MODERNISTOV ANDRE of the JEW And ALAIN-FURNE. The dissertation on competition of a scientific degree of a Cand.Phil.Sci. Tver - 2016. 2016

More on topic Conclusions under chapter 3.:

  1. Conclusions under chapter 2
  2. Conclusions under Chapter 1.
  3. Conclusions under chapter 1
  4. Conclusions under chapter 2
  5. Conclusions under the chapter II
  6. CONCLUSIONS ON THE SECOND CHAPTER
  7. Conclusions on chapter 1
  8. CONCLUSIONS ON CHAPTER 1
  9. Conclusions under chapter 1
  10. Conclusions under chapter 2