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the Basic maintenance of work

In Introduction are proved an urgency of the selected theme, it is given isyotorija studying of a question and the short analysis of the combined representations about tvoryocheskoj to evolution, about a genre category, specificity of historical prose, belleyotristiki, genre processes in the Russian literature of second half XIX century, the purposes and research problems are put forward, characterised it meyotodologija and the technique, is shined novelty degree.

In chapter 1 «Historical prose Vsevoloda Soloveva: the proyoblemno-thematic originality and specificity of a genre» are analyzed the products of the writer devoted to the past of Russia and Ukraine. In peryovom the paragraph the novel originality «Knjazhna Ostrozhsky» (1876) which is treated by us as proizveyodenie "ideological" is considered national-konfessionalnoe. Such structurally-substantial aspects of the novelistic world are put In a basis of the given genre definition, as author's judgement mezhkonfessionalnogo the conflict which predetermines siyostemu characters, specificity of a plot, and also a role of anachronisms, publitsiyosticheskih helps.

About an originality of the ideological novel Would write in 20 th years of the last century. M.Engelgardt in work «Dostoevsky's Ideological novel». In such products the idea becomes force, almost all predetermining and much spoiling. Modern researcher O.A.Bogdanova writes, that at times the historical maintenance passes in the new genre form «... The ideological novel as possessing clearly, emotionally and strongly expressed author's the ideological tendency» [14]. Thus ideoyologicheskaja the point of view of the author is mainly realised in «filosofyoskih deviations, in characteristics of characters» [15]. Such approach to izobyorazheniju the social validity was observed in second half XIX centuries, in particular in the antinigilistic novel (including. In N.S.Leskova's creativity) and antirevolutionary (century t.ch. Vs. M.Krestovsky «the Bloody padded stool»). In solovevskoj «Knjazhne Ostrozhsky» where the author's point of view also prevails over the historical invoice, subordinates to itself a material, sposobyostvuet to occurrence of anachronisms. The novel is devoted criticism of Poland and the Catholicism.

In Russian and Ukrainian literatures of first two thirds XIX century identity national and konfessionalnoj harakteyoristik (Russian or the Ukrainian - orthodox, Poles - Catholics) was observed; in - the second, representatives of the related slavic people - Poles - were more often treated as enemies and allocated with negative lines [16]. Vsevolod SoYOlovev inherits this tradition, but in its first historical novel «Knjazhna Ostrozhsky» it is a question not of the present, and about times minuvyoshih; the history here becomes «a policy turned into the past».

Product action occurs in the middle of XVI century on Volhynia entering then in structure of Speech pospolitoj. By the prose writer it is recreated predysyo
Thorium of religious conflicts between orthodox and Catholic tserkvami. The writer considered, that the obscurantism, dissociation, belief and piety impoverishment were the basic lacks of an orthodox society of XVI century; and Catholic - perfidy and cruelty. According to it product in which the important role is played by system of characters, that is purposeful correlation of all leading heroes and vtorostepenyonyh characters also is under construction.

The phenomena of a life causing worthy censure orthodox tserkyovi in «Knjazhne Ostrozhsky» are opened in dialogues minor personayozhej the novel; Catholicism negative sides are revealed in images iezuiyota Antonio's island, princesses Beaty, Sigizmunda the Second. The image protivoyorechy national-konfessionalnogo character is interfaced with is masterful soyozdannoj an adventurous intrigue [17]. Under A.I.Izmaylov's remark, the critic and first biographer Vs. Soloveva, to work over «Knjazhnoj Ostrozhsky», pisayotelja - two main passions have involved in history and the literature [18].

In the dissertation and in more details in the monography «Novel Vs. Soloveva" Knjazhna Ostrozhsky ": problems imagologii and ideologies» we spend detailed comparison of a historical material and a novel plot, the conclusion, that the writer has admitted a significant amount of anachronisms is drawn, is artificial having connected on a uniform time piece (about 3th years) sobyyotija the middle, second half and the end of XVI century. Made avtoyorom changes of the documentary invoice and arisen because of it anahroyonizmy at the same time give dynamism to a plot.

On accusation of a Catholicism and criticism of the Polish statehood rayobotajut all elements arhitektoniki products: from the bright, adventurous plot allowing more effectively to open "intrigues" of Jesuits and insidiousness of poles, images of the lock of the just magnate and a Jesuit monastery with its system of the terrible vaults described in "Gothic" spirit to spetsiyofiki of style, an originality of epithets, elements agiografichnosti and hints on the antique epos, and also the image of a spiritual life of heroines.

Presence of a historical problematics (the events preceding church unii, political and religious activity of prince KonstantiYona Ostrozhsky, a reconstruction of sociopolitical conditions, a life and nrayovov epoch, and also the description of representatives of orthodox and Catholic churches of those years), polarity and tendentiousness of system of images, publitsiyosticheskie the deviations directly opening an author's position, the anachronisms revealed by us and changes of the historical invoice, subekyotivno the painted description of cult art of the Roman church, molityovenno-ascetic an expert of Catholics and activity of Jesuits allow us to define product «Knjazhna Ostrozhsky» as istorikoyoideologichesky the novel.

The ideological component of the novel is considered in a context of the Russian historico-literary process. Obvious and expressive otyolichiem «Knjazhny Ostrozhsky» from other products (e.g., "Mazepa" F. V.Bulgarin, "Jury Miloslavsky" N. M.Zagoskin) in which osveshchayolis the Russian-Polish mutual relations, specificity of a Catholicism and pravoyoslavija, activity of Jesuits in Russia, became the negative characteristic deliberate and not including any positive shades ethnic and konfessionalnyh "strangers". The Extremely negative representation VsevoloYOda Soloveva about a Catholicism has completely generated images of an island of Antonio, Jesuits and other zealous Catholics. The negative characteristic of Speech pospolitoj, it shljahty, the king and the state religion strengthens geneyoralnuju the idea of product convicting defects of Catholicism during an epoch to the Yard
nessansa. The positive moments of orthodox history were not reflected in product.

In the second paragraph «Specificity of products Vs. Solovyova about Russian history of XVIII century» novels «Young emperor» and «the Captain grenadierial roty» are considered. In them, it is masterful using the right to art fiction, the writer has given original treatment of images of grandson Peter the Great, juvenile Peter Vtorogo and the daughter of the first russkoyogo the emperor, tsesarevny Elizabeths. For revealing of a measure of art fiction in work are compared «the Young emperor», in which short reign and Peter Vtorogo's short life (1727 - 1730) with istoyoricheskimi the facts stated in «Histories of Russia since the most ancient times» are represented With. M.Solovyova.

Using a unique historical plot, the novelist has represented reyobenka, acting not only the witness, but also the participant of historical events, the hostage of the high position. Vs. Nightingales hudozheyostvenno pereosmysljaet some facts of the biography of Peter II in a context of reyoligiozno-philosophical ideas about a relativity of happiness and desired izbaviyotelnitse-death. The tragedy of the regal adolescent stated in «Young impeyoratore», unlike documentary «Histories of Russia from the most ancient vreyomyon», gets some kind of timeless value. On natural voyopros about a parity of happiness and external abundance of earthly blessings the prose writer has given the negative answer. The author was beyond the fact-finding tendency peculiar to a historical fiction, and in own way interpreted an eternal problem of human life.

In «the Captain grenadierial roty» Vs. Nightingales also put problems of moral-philosophical character. In the name of empress Elizabeth huyodozhnik has shown the virtuous tsarina. Inclined to psychological deyoterminatsii a state policy, Vs. Nightingales revealed obshchecheloveyocheskie constants (a vanity and vanity, egoism, fidelity to a debt, zhertvenyonost and nobleness, religious values), passing the invariable
Through all centuries and becoming secret springs, driving history, the question on historical responsibility of governors and tsaredvoryotsev mentioned.

In due course in prose Soloveva tendencies to bytopisayotelstvu amplify. Its historical stories «Unexpected riches», «Two victims», «the Monk necessarily» and stories «Adventures petimetra», «Ivan IvaYonovicha's Sin» we carry them to nravoopisatelnomu to a genre. As is known, the purpose nravoopisatelja is «backlash preservation between" poetics veshchestvennoyosti "and its ideal (moralistic) analogue: the backlash underlines veduyoshchuju a role and activity of an author's position - efforts of the author initially dissolved with each other" the face sheet "and" a wrong side "evident obrayozom reunite» [19]. At the given products along with the image of remarkable cases from history of a gallant century there is also an accurate author's estimation of acts of heroes. Nightingales has shown, how gradually osuyoshchestvljalsja transition from barbarity to more civilised society. In the story «Ivan Ilicha's Sin» the writer puts a problem tselozhiznennogo repentances and grave crime expiations (murders unarmed franyotsuza in 1812).

At the analysis of novels «Groom of a tsarevna», «the Kasimovsky bride», "Tsar-maiden", «the Imperial embassy» is noticed, that Vs. Nightingales did not represent, as a rule, large events, its attention has been turned by a daily life in the seventeenth century. In the given products, koyotorye we unite under the working term «teremnoj a triptych», and also in the novel «Imperial embassy» the author skilfully recreates the generalised portrait of Russia of XVII century. In them we find out the important general line: departing from direct (an exception - the description streletskih revolts and the governmental penalties in the novel "Tsar-maiden") images of historical events, the prose writer focuses the attention to the daily occurrence image, focusing attention to unattractive aspects of life of an epoch: in a triptych opisyvjutsja
Ignorance and obscurantism, religionism, psychological mazoyohizm, cruelty, total pressure of social prejudices over lichnoyostju. Nightingales shows, that way of pre-Pertine Russia has settled itself also that brings the reader to thought on necessity of Petrovsky reforms.

In the dissertation sources against which the prose writer leant at creation of the products are revealed. Basically it - researches of his father: neyokotorye places of novels tekstologicheski are close, and are at times identical, with fragyomentami «Histories of Russia since the most ancient times». At the same time znachitelyonoe influence on formation of images and an author's estimation in "Tsar-maiden" have rendered I.E.Zabelin's works and is fantastic-mythological motives. At «the Kasiyomovsky bride» and «Imperial embassy» there are hints and on druyogie historical sources - memoirs of English doctor Samuelja KollinYosa, the book of "political refugee" of Grigory Kotoshihina «About the Moscow state in the middle of XVII century», and also on works of the historian of XIX century A.D.Tchertkov. The revealed anachronisms and discrepancies unlike «KnjazhYOny Ostrozhsky» do not play novels about the seventeenth century printsipialyonoj a role. In a statement sobytijnoj the parties the writer on advantage sleyoduet behind documentary materials, however at the image mezhlichyonostnyh relations the writer breaks the psychological truth, uses literary stamps.

In the given chapter is considered, how Vs. Nightingales approaches to soyozdaniju a historical cycle in a context of processes tsiklizatsii in Russian literatures of XIX century [20]. During this period occurred intensive formirovayonie novelistic cycles. So, writer N. D Xвощинская has created the household
The trilogy «the Province in old years» (1850 - 1856); ("Free time", «Who remained is happy?» «Last action of a comedy»). The project istoriyocheskoj tetralogies developed E.A.Salias de Turnemir. In Russian and evyoropejskoj literatures HEH of a century the tendency to creation was observed has watered - gicheskih forms. In the dissertation of book Vs. Soloveva about «an imperial tower» are treated as art (reader's, not author's) a cycle. proveyodennyj the detailed analysis allows to come to conclusion that in «teremnom a triptych» there are all components of a cycle: genre, idejnoyotematicheskaja and a subject generality, "through" characters and motives, obobyoshchajushchie deviations of the writer. Each part can be perceived as sayomostojatelnaja, but being taken from a cycle, loses a certain share of the aesthetic importance. The bright and consecutive image opredeyolennyh aspects of life of a historical epoch to which the writer addressed throughout all creative activity, became especially expressive at creation of a novelistic cycle. Itself Vs. With. Nightingales novels about Russia XVII century did not unite the creations in an author's cycle. However in due course, blayogodarja including to the critic, «teremnoj the triptych» began to be perceived as a cycle.

Consequence tsiklizatsii was also that the writer could create bright gallery of minor female characters. Some of them have svoyoih prototypes, and to tell more truly, the persons with the same name in I.E.Zabelin's works and With. M.Soloveva. It Rodimitsa, the princess Hovansky, Anna Hitrovo, Solomo - nida. Others are characters entirely invented. In proanayolizirovannyh products various kinds of the relation to the developed foundations (teremnym are presented also to usages): from revolt (Masha, Sofia in pervoyonachalnyj the period of its activity) before searches of a happy share in other conditions (Rodimitsa, Evfimija Vsevolodsky), from meanness and intrigues (bojaryyonja Anna Hitraja, Pelageja Karpovna and Solomonida Mitrievna) before kind service near (Nastasja Maksimovna, Rodimitsa, Ljuba) and quiet acceptance of way as realities (the princess Hovansky, Oniska Mishurina). In
Triptych (including thanks to gallery of female characters) the generalised dynamic image of an epoch of first Romanovs is presented.

The analysis solovevskoj prose about XVII century comes to the end rassmotreniyoem the novel «Imperial embassy». At the heart of its plot - original history of mission of the Russian ambassadors directed by Alexey Mihajlovichem to Venice in second half XVII centuries. At product there are two hudozheyostvenno-thematic layers: in the first comically picturesque and colourful description of adventures of Russian ambassadors in fantastic for them ItaYOlii is given; in the second precisely the life and customs capital boyojarstva, socially-psychological both religious-ideological conflicts and contradictions of an epoch of the "quietest" tsar also is in details reproduced. Attention of the artist sosredotoyocheno on representatives of the Kremlin aristocracy, on the image sotsialyono-psychological, steady, predetermined by specificity of environment and position of lines of their character and outlook.

Shown in creation of a cycle of products, on the one hand, stremyolenie to the large-scale and consecutive image istoricheyoskih events and characters, and on the other hand, amplifying interest to moral-philosophical aspect of the art image zakoyonomerno results all Vs. Soloveva to its creation central proizvedeyonija - the novel-pentalogii «Chronicle of Four generations».

The second chapter, «the Family chronicle in creativity Vsevoloda Soloveva», consists of two parts. In the first specificity of a novelistic genre of the family chronicle, in the second - an originality solovevskoj pentalogii is analyzed. At the analysis of this genre type at a domestic and foreign philological science there is a terminological uncertainty. Usually ispolyozujutsja terms roman-fleuve ("novel-river") or uncertain for vyyojavlenija accurate genre criteria and definitions are used terms family novel, chronicle, cycle, that is family (accordingly) the saga, hroniyoka, a cycle. The Bahtinsky formulation «the novel of generations», and also the term anyoglojazychnogo literary criticisms multigenerational novel, certainly, nuzhdayo
jutsja in specification taking into account features of poetics considered proizveyodeny. We consider a linear principle as the extremely important for family hroniyoki, after all in that case the perception of the historical phenomena becomes more complete and objective, are better traced causally - investigatory communications and laws. In case of failure in chronology, fragmenyotarnosti, various forms geterohronnogo material statements quality of perception worsens. But it is necessary to notice, that here there is a speech about others hudoyozhestvennyh problems and other genre forms.

Considered by us as family chronicles of product trayoditsionno identify as novels-epopees in domestic literaturoyovedenii, or "novels-rivers" - in foreign philology. In the dissertation akyotsentirovano position that the family chronicle - a genre having the features, separating it from an epopee. It, first, its specificity isyotorizma; secondly, extent in time of action of the family chronicle. For novels-epopees it is characteristic or historical (as in a case with L.N.Tolstoy's "War and peace"), or an istoriosofsko-ideological distance (as in a case with «Silent Don» at M.A.Sholokhov). In family chronicles we zayochastuju do not meet epic distantsirovannosti and completeness, about koyotoryh Bakhtin wrote: as a rule, last generation are contemporaries of the author, and the ending at a number of family chronicles opened (for example, at Vs. SolovYOeva, or at M. G orkogo in «Business artamonovyh»).

The family chronicle can sometimes comprise pictures wide related, social and a family cultural contact («the Saga about Forsytes», «the Chronicle of four generations»). However events of civil history inteyoresujut authors of chronicles only in the event that they somehow kayosajutsja a separate family; while author of an epopee the people and country history interests. The basic difference of "novel-river" from the family chronicle soyostoit in them raznonapravlennosti: "novel-river" tsentrobezhen (a family, destinies of heroes represent itself as a background or means for expansion sobytijyonogopolotna - displays of an objective reality of society). In the linear
Time there is an accurate communication with a river metaphor when the author puts the purpose poyokazat a life current, instead of easier to enter it in frameworks sjuzhetnoyokompozitsionnyh and narrative structures. The family chronicle otliyochaetsja tsentrostremitelnostju. Here the family is basic focus, a point of refraction of vision of sociohistorical process.

Xудожественное time in the family chronicle is presented by a life of two - four generations and occupies the considerable period in society history that forms one more specific line of a genre - a parity of history of the country with family history. The novel historicism - the family chronicle is original: large events, and at times and real historical figures, as a rule, do not interest the author in itself, but they find reflexion as important for the given family (formation of character growing up, or change of sights of adult generation). Events of civil history influence a family life, transform its way, form new values, give other directions for activity of heroes. Thus, authors offer some other sight at history, than in sobyostvenno historical novels, or in novels-epopees where becomes accents on macro-events and the macro-phenomena. In the family chronicle decrease masyoshtaby histories and occurs it "ochelovechivanie", the narration is turned on changes in daily occurrence.

Xудожественное time can extend at the expense of data about rodosloyovii heroes (up to XVI century and further if to consider, that action proisyohodit in XIX - XX centuries)

By consideration of specificity of this genre the accent is made on the term "seyomejnaja". This aspect zhanroobrazovanija means studying svoeobrazyonoj problematics, sjuzhetno-fabulnyh the parties of products, and also kateyogory time and space. In a problematics context it will be noticed, that royoman - the family chronicle investigates (in various degree) traditions of a family, its microclimate, problems of fathers and children, in this genre is included as well izucheyonie conflicts and social communications of a family (a problem of the individual and a society
Is not an especial prerogative of this genre, but in it it too prisutyostvuet). The novel considers destiny of two and more generations, but thus, unlike the biographic novel where in the centre there is a destiny of one cheloyoveka, any generation samotsenno for the author. Problems biographic romayona and the novel - the family chronicle are various, from here and their problem and genre originality follows.

The given genre distinguishes not only the elite literature, but also pronikayoet in a fiction, together with the popular literature. An example of the last - novels of the American writers of B.Smoll «saga of family O'Malli» and B.Birk «Fiery birds», M.Kanningema «the Flesh and blood» and Russian belletriyostov O.Malkova «Two destinies», Dm. Veresova "Letopisets". In modern Russian, Ukrainian and foreign literatures the genre investigated by us is one of perspective, and in the future occurrence of new family chronicles is possible.

The detailed analysis of the novel «Chronicle of four generations» is directed on revealing of the signs inherent in the genre form of the family chronicle as tayokovoj. Pentalogija corresponds with products Russian and foreign liyoteratury similar type. The most important sign is presence in structure of a narration of movement (change) of generations in a context sootyovetstvujushchih historical epoch where time is measured by life expectancy of generations, and the historical epoch is presented through a prism of a private life.

Chronological basis in solovevskoj pentalogii makes bolyoshej a part not calendar, and sobytijnoe time in which stages otecheyostvennoj represent to social and class history for authors sisteyomu external reference points in a choice of this or that course of life of heroes.

At judgement of the basic events world and all-Russian, grazhyodanskoj and social history Vsevolod of Nightingales the anthropological principle adhered not so much socially determined, how many at its interpretation. Differently, he considered as the defining factor dejayo
telnost and a position of concrete persons, instead of interests and contradictions in social structure of a society. Proceeding from such understanding of history in peryovyh two novels «Kroniki...» The role lichnoyosti becomes the leading factor. In the third part pentalogii «the Old house» Vs. Nightingales has continued the istoriosofskie reflexions. Its attention has been turned on dekabristyoskoe movement which was treated as it as the Antirussian adventure. Pluses and serfdom minuses are predetermined moral svojyostvami separate landowners and landowners. Vsevolod Nightingales, considering history of four generations of family Gorbatovyh of noble family, the attention of the reader to those cultural both spiritual priorities and values which defined sphere of their spiritual and material interests stops.

In the third chapter «Evolution of a mystical theme in creativity VseYOvoloda Soloveva» is analyzed specificity of judgement by the writer of supernatural phenomena. Mystical Nightingales considered as a part of a daily life, throughout the creativity the prose writer has passed a way from the enthusiastic admirer of spiritism (and related to it parapsiyohologicheskih phenomena) to the Christian thinker, critically osmysyolivajushchego this sphere of life. The collection of the end of 1870th years «Svjatochnye stories» was the first works of art at which there is a mystical problematics, being "svjatochnym" under the name, analiyoziruemyj the collection of stories on parapsychological themes did not become that on genre essence. Only one of stories («In a dream and in reality») sootvetyostvuet to a classical canon svjatochnogo the story.

In subsequent creativity Vsevolod of Nightingales thanks to the gone through spiritual evolution in particular in connection with John KronshtadtskoYogo's influence began to consider inobytie not from positions fashionable during its times spiriyotizma, and from the point of view of orthodox divinity. Topmost proizvedeyoniem the writer who has addressed in the creativity to the mysticism, became it diloyogija (novels of the end of 1880th years "Magicians" and «Great Rozenkrejtser»), koyotorujumy it is treated as the phenomenon of philosophical prose. Purpose Vs. Solovyova
There is a studying of the Masonic mysticism originating in gnosticism of late antiquity, and interpretation of this phenomenon from orthodox positions. The writer not simply represented the mystical phenomena in itself, and expressed to them the relation as the Christian thinker. The antagonism gnosticheyoskoj and Christian anthropology has been artly embodied Vs. SoloYOvyovym in dilogii at different levels: in creation of a specific novelistic situation, in disputes of prince Jury Zahareva-Ovinova and Nikolay's island (author's rezonera), manuals of tsarina Ekaterina, in dialogues of the protagonist with druyogimi characters, and also in disclosing of internal conflicts personayozhej, in use of archetypes.

According to svjatootecheskomu to the doctrine, superfluous interest to area neyohristianskoj mystics is capable to harm a human soul. OsnovYOnoe the maintenance dilogii is focused on traditional Christian tsenyonosti. With the same purpose images of heroes-rezonerov (Nikolay's island and imyoperatritsy Catherine the Great), acting in a role constant opponenyotov in ideological discussions are created.

Further we address to finding-out of a question on a prototype of priest Nikolay in mystical dilogii Vsevoloda Soloveva. Comparison of texts dilogii Vs. Soloveva and St. John Kronshtadtskogo's creations allows us to put forward the version that the priest who was known personally by the writer became a prototype of father Nikolay, the hero - rezonyora. Action of products razyovivaetsja during Catherine II epoch while St. John lived on a boundary Hk - HH centuries. Vs. Nightingales character spiritual sobesedyonika as used model for creation of an image of priest Nikolay convicting goryodoe disbelief Zahareva-Ovinova (XVIII century). In an image of an island of Nikolay nalicheyostvuet a number of invented fig. Unlike St. John it came not from Arkhangelsk, and from the Pskov province, studied not in St.-Petersburg, and in Kiev, had arrival not in a city, and in village. Vs. Nightingales, apparently, izbeyogal full identity of the real priest and the literary hero. IzYOmenenie a name from John on Nikolay it is caused by ethical reasons,
As at the moment of creation of novels of an island John was known in secular and priyodvornyh circles of St.-Petersburg.

Comparing the description of day from a life of an island of Nikolay and its lecture, priveyodyonnye in "Magicians" and «Great Rozenkrejtsere», with short harakteristiyokami vicarial work and St. John Kronshtadtskogo's sermons, it is necessary to ascertain their doubtless affinity. It allows to assume, that a way of life, work with laymen, oral and written manuals of father John for Vs. Solovyova were a valuable source for formation of an image of the priest in mystical dilogii.

In the dissertation the attention to the question on specificity of a genre and a method filoyosofsko-mystical dilogii Vs is brought. Soloveva also it is noticed, that the novels written to 1880th years have reflected one of tendencies of literary process of those years. On V.V. supervision. Agenosova, «launch filosofichnosti, the attention aggravation to universal problems is necessary on second half? I? Centuries also it is connected mainly with the Russian literature» [21] and influence tvorcheyostva F.M.Dostoevsky. Vs. S.Solovev considered the author of "Brothers KaramazoYOvyh» as the instructor and its aspiration to creation filosofsko - mystical dilogii it is possible to explain partly indirect influence on it the great writer.

Action mystical dilogii Vsevoloda Sergeevicha Solovyova proyoishodit in XVIII century, in Catherine the Great reign, but history here is only a background, the basic conflict reveals in nravstvennoyomirovozzrencheskoj planes. In a shower of the protagonist the great drama of a spiritual enlightenment and transformation, and all other aspects proizyovedeny is made (historical, household, stsientichesky etc.) in comparison with it fade into the background. Actually philosophical conflict becomes doyominantoj dilogii and predetermines its other features predmetnoyostilevoj structures (the description of ceremonial practice rozenkrejtserov; pojavleyo
nie heroes-antipodes - knjazhny Elenas Kalatarovoj, empresses EkateriYony, Nikolay's island, a reconstruction of household aspects of life etc.).

The hobby for esoterics deforms the person of the protagonist, prince Jury Zaharina-Ovinova. Vs. Nightingales "pushes together" it with representatives of an award rozenkrejtserov, possessing secret knowledge and original etiyocheskimi the norms unacceptable for people uninitiated in gnostikoyoezotericheskie of the doctrine. In the novel the system of images based on opposition of various world outlook models is created. As a result the author comes to the statement of positive Christian outlook.

Thus, eternal moral and philosophical problems (sootyonoshenie reason and feelings; opposition of Christian ethics and gnostiyocheskoj anthropology) are incorporated in it is masterful the written out pictures of a life of Russian and European aristocracy of XVIII century and find the razreyoshenie, not leaving for natural borders of an epoch. All it allows us otyonesti mystical dilogiju Vs. Soloveva to philosophico-historical products. In them results ideologicheyoskogo developments of one of the basic directions European religioznoyomisticheskoj thoughts from pozdneantichnyh gnostikov to rozenkrejtserov Education epoch are generalised, analyzed. The antagonism Christian (vital) and gnostiyocheskogo (zhizneotritsajushchego) outlooks carries timeless (being the Russian on material Russian and European history of XVIII century) and nadepohalnyj character.

In the novels "Magicians" and «Great Rozenkrejtser» Vs. Nightingales has shown law, the beginning and an end result of spiritual evolution of the protagonist. In this case we have in view of that spirituality, which

And. M.Ljubomudrov has defined as «strictly Christian. As kacheyostvo that sphere of the person which directs it to the God, is responsible for its communication with the transcendental beginning» [22]. It is important to notice, that at such approach all
The validity phenomena «are recreated and estimated from positions pravoyoslavija, eyes of the orthodox Christian. The world and the person are depicted in light svjatootecheskoj anthropology» [23].

The orthodox outlook has defined a problematics mystical dilogii Vs. S.Soloveva. During spiritual evolution the knowledge for Zahareva - Ovinova became not end in itself, and means for service to the God and near for the sake of a great precept of love. The given products it is considered possible otneyosti to spiritual realism though this term is usually used for oboyoznachenija bole the late phenomena from the XX-th century literature. The Soteriologichesky problematics of novels, the image of a spiritual ascension of the protagonist from an arrogance gloom to light of Christian love show, that at creation of products Vsevolod of Nightingales leant against traditions svjatootecheskogo boyogoslovija. For finding-out of an author's position of the writer it is made sopostavyolenie conceptually important fragments of the text dilogoii and creations svjatoyogo the Feofana-hermit (1815-1896).

The supernatural knowledge is treated Vs. Solovevym as the tool which can bring a good fruit at true aksiologii. In the ending zhizyoni and creativity the novelist considered all mystical phenomena as the phenomena suyogubo negative and harmful. In more details and with deep arguments it has opened the understanding of mystical phenomena not in art, and in publicistic both religious-philosophical articles and the memoirs book «Modern priestess Isidy. My acquaintance to a theosophic society».

In zakljucheniipodvodjatsja results of the carried out research. For 20 years of creative activity Vs. Nightingales evolved, went deep, izyomenjalos moral-philosophical and socially-cultural urological soderyozhanie its novels. After novel issue «Knjazhna Ostrozhsky» VseYOvolod Nightingales are carried out by transition from ideological to nravoopisayotelnomu to the approach. Nravoopisatelstvo it is transformed to other genre
Types: the istoriko-psychological, philosophico-historical novel, proyobuzhdaet at it interest to socially-psychological prose.

The prominent aspect of art evolution in prose Vsevoloda SolovyoYOva is connected with change of approaches to art reconsideration of a dokuyomentalno-historical material. If in the first, ideological novel izbytochestvujut anachronisms and "liberties" in the subsequent prose we observe or psihologizatsiju histories (novels «Young emperor» and «the Captain grenadierial roty»), or with some reservations kvaziyoistorichnost («teremnoj a triptych»), or quite exact transfer istoriyocheskih data with privnesenesem adventurousnesses in a narration («Imperial embassy»). The important art achievement became and psihologizayotsija a historical material, and also judgement of events with ekzistentsialyonyh and istoriosofskih positions.

The writer in «teremnoj a triptych», in a number of stories and stories («Two victims», «the Monk necessarily», «Unexpected riches», «Ivan IvanoviYocha's Sin», «petimetra») has created the Adventure complete, some kind of synchronous, an image of time. Important such detail is represented also: these proizveyodenijah speech to advantage went to all about Russian monarchy and aristocracy. However its creative searches on it have not stopped. In pentalogii about sort GorbaYOtovyh he creates diahronnuju "panorama" of a life of domestic nobility from Catherine the Great epoch till Alexander Tretego's times. Such obrayozom, Vsevolod Nightingales comes to new genre formation - seyomejnoj to the chronicle.

Solovevsky pentalogija it is nowadays not so known wide chitatelyoskim and to research circles. Genre occurrence seyomejnoj chronicles is traditional co-ordinates with M.E.Saltykova-Schedrin's creative activity, with its novels of "Lord Golovlyovy" (1875—1880) and «Poshehonesky olden time» (1887—1889). In the dissertation it is noticed, that chronicle VsevoYOloda Soloveva it was created almost simultaneously. ("Sergey Gorbatov" ("NiYOva", 1881), "Volterjanets" (1882), «the Old house» ("Field", 1883), «Is expelled -

nik »(1885),« the Last Gorbatovy »(1886)). That the author has begun the pentalogiju as the traditional historical novel is remarkable also, but after its plan was transformed and as a result aesthetic searches piyosatel has come to creation of new and perspective genre model.

To assume, or deny influence on its plan from party Saltykova-ShChedrina we cannot in view of absence documentary mateyorialov. At rjadopolozhenii Vs. S.Soloveva and M.E.Saltykova-ShChedrina in the given aspect we will come out with the assumption that occurrence of family chronicles in their creativity is caused by specificity of literary process of those years, necessity to consider in fiction genesis and dynamics of socially-psychological processes. According to Vs. Soloveva its chronicle «the life», solovyovsky has given birth to a five-volume edition sposobyostvoval to development of the given genre in domestic literature [24]. In favour of the given assumption statistical data about popuyoljarnosti and the big demand solovevskih books in dorevoljutsionyonoj Russia, and also hints on pentalogiju in N.Severin's family chronicle "Vorotyntsevy" and the Dm novel testify also. Merezhkovsky «Peter and Alexey».

If in «teremnom a triptych» and pentalogii the author has represented dynamics of daily occurrence on a chronological piece in some decades, in dilogii (novels "Magicians" and «Great Rozenkrejtser» it, leaning on izobyorazhenii a life of aristocracy of times of Catherine the Great, comprehended eternal existential aspects of life. In these products over which proyozaik worked about six years, the author points the vision of moral and philosophical problems, deepens comprehension of mystical phenomena, vyyohodit for peculiar to its art manner fictional "ramyoki" and investigates deep aspects of a spiritual life (sense and napravlenyonost love to the God, near and to the woman; knowledge appointment, javljajushchegoyosja not end in itself, and the most valuable means for highest blessing achievement).

Being the innovator in creation of a genre of the family chronicle and «mystical novels», in other aspects of the creativity it followed at neznachitelyonoj to updating to the developed genre models. In particular valter - skottovskomu to a subgenre. In its novels «Imperial embassy» and «the Tsar - the maiden», "Sergey Gorbatov" we observe defining lines of this type of prose: 1) in them are opposed and various religious and social models of the organisation of a society are in detail represented, 2) protagonists (Ljuba Kadasheva and Alexander Zalessky, Sergey Gorbatov) are vyyomyshlennymi; 3) protagonisty are young, beautiful, enterprising, obrazovayony, they carry out function of intermediaries between clashing storoyonami; 4) their destinies direct and monarchs form (tsarevna Sofia, tsar Alexey Mihajlovich, empress Catherine the Great) 5) in products plays the important role a love intrigue.

Unlike mystical problems in which interpretation SolovYOevym accurate evolution is traced, the socially-psychological prose of the writer is discrete. The writer in socially-psychological proizveyodenijah considered various problems and subsequently to them not vozvrayoshchalsja. In the novel "Delusion" (1878) the psychology of the fatal woman, the demonic person drawing to on irratsionalyonom level and sowing harm is investigated. In 90th years HGH centuries Vs. Nightingales has written proizyovedenie on topic of the day - novels «Malicious whirlwinds» (1893), «chasm Flowers» (1895), in them «false doctrines» have undergone to the sharp criticism: tolstovstvo, spiriyotizm, nitssheanstvo. Principles and approaches to the image of the person in each of products were used once, and evolution of the art approach in its creativity devoted to social aspects, we also do not observe.

In socially - psychological stories "Board", "Question" and "GeYOny", «Russian crusaders» Vsevolod Nightingales here acts as huyodozhnik, capable to display both deep feelings, and their dynamics and development.

Finishing consideration solovevskoj prose, we will notice, that postavyolennye it problems the writer has executed three, having created interesting and original products in various genres. The greatest glory Vsevolod of Nightingales has received as the historical novelist, but attention accentuation especially on its historical products impoverishes our representation about it as about the original and original writer, which books, according to sociological interrogations, in second half XIX and the beginning of XX century polzovayolis the raised popularity at the wide Russian reader. On ruyobezhe millenia Vs. S.Solovev also remains to one of the demanded and studied authors.

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A source: Nikolsky Evgenie Vladimirovich. Prose Vsevoloda Soloveva: problems of creative evolution. The dissertation author's abstract on competition of a scientific degree of the Doctor of Philology. Tver - 2014. 2014

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