<<
>>

INTRODUCTION

The given work is devoted studying of Christian semantics slavjanizmov in P.A.Vjazemskogo's poetry; research is spent in istorikoyosemasiologicheskom and lingvokulturologicheskom aspects, on a joint lingvokulturologii with history of Russian literary language of XIX century, lingvopersonologiej, philological germenevtikoj and lingvopoetikoj as the theory and practice of the analysis and interpretation of the art text on a linguistic basis.

Semantic functions slavjanizmov in the given work are understood as expression is sacral-religious (Christian) and sekuljarnyh (wordly, "secular") values and contextual senses. Studying of functions slavjanizmov deduces on their problem semantic-stylistic «cultural memory» (E.S.Jakovleva), parities Christian and

sekuljarnoj components poetic idiolekta and implitsiruemoj it of a personal picture of the world - «poetic philosophy», «art creed» (A.V.Motorin) of the poet.

Use slavjanizmov as carriers of Christian maintenances, even in poems especially wordly, "secular", - organic

Feature of Russian poetry, including P.A.Vjazemskogo (1792-1878) beginning as the senior companion and the friend of Ampere-second. Pushkin and gone through not only it, but even F.I.Tyutchev (1803-1873). However to speak about «organic Orthodoxy of Russian poetry» as unduly categorically set up researchers some, in our opinion, (for example do: [Sablina 1999]), it is possible only under condition of essential reservations and specifications.

The tserkovno-religious basis of Russian and culture "appears through" through sekuljarnye covers, - but in kontaminatsii with wordly, that at lexicon level responds in the phenomenon tserkovnoslavjanoyorusskoj polisemii as versions «semantic sinkretizma»,
«Simultaneous realisation of several lexical values in the statement» [Shatsky 2010: 19]. In XIX century Christian values slavjanizmov were the phenomenon actual (all were familiar with Church Slavonic language orthodox, including most "freethinking"); from here necessity of the multidimensional approach - antropotsentricheskogo in a combination with sotsiokulturnym and teolingvisticheskim.

Special researches of a poetic diction Vjazemsky are not numerous; in the scientific literature the riches and a variety of the dictionary as a whole, a whimsical combination of various stylistic layers («a simultaneous combination of low lexicon and household figurativeness to gravity of the philosophic maintenance» [Lotman 1996: 509]), world outlook mnogoaspektnost [Lazarev 2017], interrelation with kontseptami Russian mentality [Mitrofanova 2006], riches of graphic-expressive means [Alexeys 2013], including puns, phraseology, nonce words [Vasilev, ZHatkin 2016], «figures comic» [Patroeva 2009] is marked.

The poetry Vjazemsky in a problem context «Orthodoxy and the Russian literature» remains maloizuchennoj. Some exception makes the creativity final stage, especially tanatologicheskie the motives inseparably linked with Christian attitude [Volodina 2012], «last age» [Prokhorov 2015], motives of death and an old age

[Prokhorov 2018] «life and death metaphysics» [Ovchinnikov 2012].

Is sacral-religious (Christian) functions slavjanizmov in poetic idiolekte Vjazemsky in their correlation with sekuljarnymi functions, as far as we know, specially were not studied. Traditional aspects of research slavjanizmov, found reflexion in the diversified philological literature, including school textbooks, - genetic, historical, is functional-stylistic.

An originality of the given work - addition of this list
lingvokulturologicheskim, sotsiokulturnym and teolingvisticheskim approaches.

From here necessity to specify, in what value in the given work is used the term and concept "slavjanizm".

We accept classical definition slavjanizmov, offered G.O.Vinokurom: «All that during each given epoch for speaking and writing there is a special accessory of Church Slavonic language of time and in this quality is capable to function as allocated with certain stylistic properties

The Church Slavonic variant of common means of speech, also is slavjanizm in stylistic sense of a word »[Vinokur 1959: 447-448].

Following G.O.Vinokuru, we specify: slavjanizmy - it is not obligatory words staroslavjanskogo origins (genetic criterion), but those slavic words on sources which are connected with semantic-stylistic and diskursivnymi functions tserkovnoslavjanizmov, with Christian tradition. Hence, in lingvokulturologicheskoj slavjanizmy it is expedient to understand projections as reprezentanty Christian phenomena of "tsennostno-semantic space of language» [Alefirenko 2010]; criterion atributsii language unit as slavjanizma - semantikoyodiskursivnaja Church Slavonic vydelennost.

The research urgency is defined by the following:

1) necessity of development antropotsentricheskoj paradigms in linguistics with a view of a combination with sotsiokulturnoj a paradigm; 2) the increasing

Interest of a science to «spiritual realism» in history of Russian literature, interrelation of fiction and Christianity;

3) a demand of the scientific researches aimed at restoration of Christian perusals of semantics slavjanizmov which were characteristic for dosovetskogo the period of domestic history; 4) absence

The thorough researches specially devoted tserkovnoslavjanoyo
Russian polisemantam in a poetic diction of XIX century, in particular, in idiolekte Vjazemsky as one of sign figures of history of the Russian literature.

Object of research - slavjanizmy in poetry Vjazemsky.

Object of research - functioning in poetry Vjazemsky slavjanizmov, acting as carriers of Christian values and senses, and tserkovnoslavjano-Russian (sacrally-sekuljarnyh) polisemantov in their nontechnical both individually-poetic values and senses.

The research hypothesis consists in the assumption, that poetic creativity Vjazemsky on all its extent (from the early "Arzamas" period to ispovedalnyh motives of 1860-1870th years) in hudozhestvennoyomirovozzrencheskom and the language relation has dual character: on the one hand, sekuljarno-secular (wordly), on the other hand, sakralnoyoreligioznyj (Christian); this duality is shown at all levels of the semantic organisation of products: from lingvomentalnogo level of a personal picture of the world, «poetic philosophy» - through private motivnye and conceptual structures - to level of lexical semantics, in crossings Church Slavonic and wordly, language (usual) and speech (contextual, individual).

Research objective - to reveal a file slavjanizmov with sakralnoyoreligioznoj (Christian) semantics in poetry Vjazemsky, to correlate their intratext semantic functions with sotsiokulturno the caused features of an author's picture of the world, «poetic philosophy».

According to an object in view at research carrying out following problems are put:

1) to define necessary methodological approaches to research slavjanizmov in poetry Vjazemsky, including actually linguistic and adjacent with them sotsiokulturnyj, istorikoyobiografichesky, aksiologichesky, etc.;

2) to develop concept «tserkovnoslavjano-Russian polisemija» on the basis of representation about Christian «cultural memory» slavjanizmov, resultant in them is sacral-sekuljarnuju bifunktsionalnost;

3) to find criteria and revealing procedures slavjanizmov with obvious or latent (contextually dependent) is sacral-religious Christian semantics or its components to establish quantitative and qualitative structure of a file slavjanizmov in poetry Vjazemsky;

4) to construct natural classification slavjanizmov, organic for the characteristic of features of their functioning in poetry Vjazemsky;

5) to make selection and the analysis of representative poetic products Vjazemsky, including slavjanizmy with sakralnoyoreligioznoj Christian semantics;

6) to establish features of a personal picture of the world, «poetic philosophy» Vjazemsky, caused by interaction sekuljarnoyosvetskogo (wordly) and is sacral-religious (Christian) aspects of semantics used in its poetic products slavjanizmov.

The theoretical and methodological base of research was made by following scientific positions and works:

- On history of Russian literary language XVIII-XIX centuries, including about a place Vjazemsky in it (V V.Vinogradov, N.A.Meshchersky, B.A.Uspensky, V.M.Zhivov, A.A.Alexey, P.A.Semenov, etc.), about a role of Church Slavonic language in formation of a modern Russian literary language and its place in Russian speech practice (M.V.Lomonosov, G.O.Vinokur, I.V.Bugaeva, Z.K.Kiynova, I.A.Koroleva, A.J.Musorin, V.I.Suprun, M.S.Shishkov, V.V. Shmelkova, etc.);

- About lexical slavjanizmah and tserkovnoslavjanizmah, their language features and functions in Russian speech (V.V. Vinogradov, E.S.Koporsky, E.S.Jakovleva of T.I.Vendina, O.A.Sedakova, R. Auty, G. Nandris, etc.), about functions slavjanizmov in works of art XVIII-XIX centuries,
Since V.V. Vinogradova and G.O.Vinokura's classical works - up to now (N.I.Tolstoy, O.V.Lihacheva, D.G.Demidov, O.A.Matveeva, M.G.Sharihina, V.A.Mishlanov, A.A.Plahova, etc.);

- On the theories of the art text fixing necessity

The complex approach, the account of various scientific paradigms: zhanrovoyotematicheskoj, is functional-style, individually-author's,

referentsialnoj, "semantic", sotsiokulturnoj (G.O.Vinokur, L.G.Babenko, N.S.Valgina, G.F.Kovalyov, V.A.Milovidov, V.V. Volkov, JU.N.Zemsky, M.F.Shatskaja, V.V. Glebkin, etc.);

- On lingvokulturologii, teolingvistike, philological germenevtike and lingvopersonologii as the doctrine about «the language person» (N.F.Alefirenko, S.V.Ivanov and Z.Z.Chanysheva, V.I.Postovalova, JU.N.sentr, N.F.Krjukova, S.R.Abram, L.V.Levshun, N.V.Patroeva, etc.).

Were used also istoriko-biographic, istorikoyoliteraturnye and the teoretiko-literary researches giving representation about a course of life Vjazemsky, about an originality of its literary creativity (M.I.Gillelson, V.V. Bondarenko,

O.I.Mitrofanova, I.E.Prokhorov, O.N.Aleksandrova-Osokin,

A.R.Bokovnja, G.J.Bukin, N.V.Volodina, O.A.Zhukov, etc.), about Christian motives in creativity of Russian writers, «spiritual realism» in the Russian literature (A.M.Ljubomudrov, M.M.Dunaev, I.A.Esaulov, I.A.Ajzikova, etc.).

Research methods. The method of continuous sample, the general scientific inductive-deductive method were used, allowing to comprehend and generalise a theoretical and is concrete-research material, philological methods: lexico-semantic, lingvostilistichesky, the contextual analysis, a method morfosemanticheskoj classifications, elements of the etymological comment, lingvopersonologicheskogo and cultural
The historical analysis and interpretation, and also elementary leksikoyostatisticheskie quantitative estimations.

The research material is made, first, received by a method of continuous sample meeting in poetic products Vjazemsky slavjanizmy with obvious or latent (contextually dependent) sakralnoyoreligioznoj Christian semantics or its components, secondly, by fragments of poetic products Vjazemsky and the integral poetic products including slavjanizmy with Christian semantics.

The final material of research received by us as a result of continuous sample from poetic idioleksikona Vjazemsky, has made 2856 slavjanizmov with obvious or latent (contextually dependent) sakralnoyoreligioznoj Christian semantics or its components and representative contexts of their use in poetry Vjazemsky.

Scientific novelty of work consists that for the first time as a part of poetic idioleksikona P.A.Vjazemskogo is revealed a file of tserkovnoslavjano-Russian polisemantov, for the first time on a basis leksikoyostatisticheskih data is established, that poetic creativity Vjazemsky on all its extent (from the beginning 1810 up to the end 1870th years) in the is art-world outlook and language relation has dual character: on the one hand, sekuljarno-secular (wordly), on the other hand, is sacral-religious (Christian). On a material of poetic creativity of the Item And. The Vjazemsky it is spent complex (istorikoyosemasiologicheskoe, lingvokulturologicheskoe semantic-stylistic and lingvopoeticheskoe) functioning research slavjanizmov with combined is sacral-religious and sekuljarnoj semantics (tserkovnoslavjano-Russian polisemantov) in the poetic text, is established an originality of an author's poetic picture of the world, consisting in a duality author's "I" and sacrally-sekuljarnoj dualities of poetic time.

As a result of the carried out research are formulated and following positions are taken out on protection.

1. The methodological bases of research slavjanizmov in P.A.Vjazemskogo's poetry fall outside the limits antropotsentricheskogo the linguistic approach in sotsiokulturnyj, include as actually linguistic aspects (istoriko-semasiological, leksikologichesky, lingvokulturologichesky), and wider - sotsiokulturnyj, istoriko-biographic, aksiologichesky.

2. The concept tserkovnoslavjano-Russian polisemii with reference to functioning studying slavjanizmov with Christian semantics in P.A.Vjazemskogo's poetry is based on representation about semantikoyodiskursivnoj sacrally-sekuljarnoj bifunktsionalnosti slavjanizmov.

3. Semantic classification slavjanizmov, relevant for

Judgements of a Christian making poetic picture of the world of P.A.Vjazemskogo, includes three groups: 1) sekuljarnye slavjanizmy, entering into lexicon of the general use and carrying out mainly stylistic functions; 2) actually tserkovnoslavjanizmy (including

Christian religionimy), making bogoslovsko -

Terminological basis of a church discourse; 3) tserkovnoslavjanoyo

Russian polisemanty - the interstyle lexemes acting as carriers and is sacral-religious, and sekuljarnyh of values. In tserkovnoslavjano-Russian polisemantah the next image reflects dual character of mentality of the Russian intellectual elite of XIX century, they bear the basic semantic loadings within the limits of a Christian making personal picture of the world, «poetic philosophy» Vjazemsky.

4. From among criteria of revealing occurring in Russian philology slavjanizmov and tserkovnoslavjanizmov (genetic, semantic, stylistic, diskursivnyj) with reference to studying of a Christian component of a poetic diction Vjazemsky it is expedient to lean on semantikoyodiskursivnyj, proceeding from traditional representations about slavjanizmah as
Obvious or implicit reprezentantah Christian phenomena of Russian language consciousness. The decision of a problem of revealing tserkovnoslavjanizmov and tserkovnoslavjano-Russian polisemantov in idioleksikone Vjazemsky is expedient for making on the formalized procedure, appropriating the term slavjanizm operational sense «a vocable (a header word of an entry), present at least in one of authoritative dictionaries of Church Slavonic language».

5. Leksiko-statistical data testify, that poetic creativity Vjazemsky on all its extent (from the beginning 1810 up to the end 1870th years) in the language relation has dual character: on the one hand, sekuljarno-secular (wordly), on the other hand, sakralnoyoreligioznyj (Christian). The tendency to quantity increase slavjanizmov with is sacral-religious semantics from the first creativity by the third periods is marked; the given tendency corresponds with increase in quantity of poems ispovedalnogo character, with motives of summarising of a vital and creative way.

6. Features of a personal picture of the world, «poetic philosophy» Vjazemsky, caused by interaction sekuljarnogo and Christian aspects of semantics slavjanizmov, are most visually shown in motivnyh the complexes displaying a duality author's "I" and sacrally-sekuljarnuju duality of poetic time, and also in tanatologicheskih motives of late lyrics.

The theoretical importance of work is defined by that the received results specify, supplement and deepen known positions about the maintenance and concept volume "slavjanizm", about semantic-stylistic functions slavjanizmov in art speech; research brings the contribution to technique working out lingvokulturologicheskogo and lingvopoeticheskogo the analysis of the art text on the basis of revealing sakralnoyoreligioznyh values of tserkovnoslavjano-Russian polisemantov in their interaction with sekuljarnymi values and contextual senses and
Techniques of the description of an image of the person in Russian language picture of the world. Theoretical results of research can be used at the analysis of processes desakralizatsii (sekuljarizatsii) and resakralizatsii slavjanizmov in Russian, interactions Church Slavonic and kodifitsirovannogo a literary language in speech practice.

The practical importance of research is caused by that its results can add a material of high school courses of history of Russian literary language and history of the Russian literature, leksikologii and lexicographies, lingvokulturologii, theories of poetic speech, can be used in tasks under the linguistic analysis of the art text and in research work, in particular, at planning and performance course, degree and magisterskih projects.

Work approbation. The dissertation was discussed on faculty meetings of Russian of the Tver state university. Research substantive provisions were stated within the limits of following scientific conferences: XI International scientifically-practical conference «Cultural science, art criticism and philology: modern sights and scientific researches» (Moscow, 2018), XVI International the scientific

Practical conference «the Scientific forum: Philology, art criticism and cultural science» (Moscow, 2018), V International scientifically-practical conference «Problems and tendencies sotsiokulturnogo spaces of Russia: history and the present» (Bryansk, 2018), IV International scientifically-practical conference «Social and economic,

The humanities and jurisprudence: theory and practice questions »(Novosibirsk, 2018), the International scientifically-practical conference« New technologies in socially-humanities and formation: a modern condition, problems, development prospects »(Belgorod, 2018), V All-Russia scientifically-practical conference« Problems

The humanities and formation in the modern world »(Republic Bashkortostan, Sibaj, 2019).

On a dissertation theme 14 works in total amount 6,28 items of l are published., four of which - in the editions included in the list of reviewed scientific magazines, recommended VAK Minobrnauki Russia.

Work structure. The dissertation consists of the introduction, three heads, the conclusion, the list of the used literature and two appendices containing a concrete research material received by the author.

<< | >>
A source: Borodina Ekaterina Jurevna. SLAVJANIZMY In the POETIC DICTION of the Item And. The VJAZEMSKY. The dissertation on competition of a scientific degree of a Cand.Phil.Sci. Tver — 2019. 2019

More on topic INTRODUCTION:

  1. in introduction
  2. INTRODUCTION
  3. INTRODUCTION
  4. 10.1. Introduction
  5. INTRODUCTION
  6. approbation and introduction of results.
  7. Introduction
  8. Introduction
  9. INTRODUCTION
  10. INTRODUCTION
  11. Introduction
  12. Introduction
  13. INTRODUCTION
  14. Instead of Introduction …
  15. PRACTICAL INTRODUCTION OF RESULTS OF WORK