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4.3. The basic conclusions

Sochetaemostnye properties of epithets and substantivov in texts of products of M.Tsvetaeva prove in domination of psychological characteristics of the subject, in their extrapolation on adjacent realities of the validity: the person (an impudent sight), the nature (a jealous wind), artefacts (the hospitable house) that allows to speak about efficiency metonimicheskoj and metaphorical lines of formation of epithets.

The embodiment, personification of realities is distinctive feature of a hallmark of M.Tsvetaeva within the limits of use of epithets and epitetnyh complexes.

Considered by us base substantivy M.Tsvetaeva's creativity, expressed in frameworks epifrasticheskih word-combinations, have shown the uniform logic of formation of a portable epithet antropomorfnogo the type used together with a name base kontsepta. Besides individual, author's filling of semantics separate substantiva, that it is necessary to consider at the analysis, the original animation of parts of a human body (in a case with kontseptami eyes, a hand, a mouth, soul), and also transferring of feelings of the lyrical heroine on artefacts and naturfakty is available. A source metonimii a sign in this case is the contiguity of properties of defined objects or subjects thanks to which definition can move from a name of one subject / object addressed to another: the impudent person – impudent blood. On a material of creativity of M.Tsvetaeva it is shown, that for poetic idiolekta domination metonimicheskoj logicians is possible at formation portable priznakovyh words; And a regular combination antropomorfnyh substantivov and epithets (an eye, the soul – whimsical) represents bright idiostilevuju line of a lexicon of M.Tsvetaeva.

Denotativnaja the generality substantiva and priznakovogo words generates various associations which, being a fruit of an author's reflexion over a word, nevertheless keep within the general logic of the mechanism of displacement of an epithet. The most frequency and productive in M.Tsvetaeva's creativity are such epithets, as sad/sad, young, thoughtful, sleepy, retentive. antropomorfnaja semantics of definitions means freedom of their compatibility with antropomorfnymi substantivami; in a case of their use with names of artefacts or naturfaktami bright figurativeness as there is an embodiment, personification of lifeless subjects or the phenomena is born. M.Tsvetaeva's special emotionality, its aspiration to pass all world through itself, through the soul causes an abundance of personifying metaphors which find the expression by means of the epithet use in a combination to a defined name.

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A source: Gubanov Sergey Anatolevich. the EPITHET In M.I.TSVETAEVOJ's CREATIVITY: SEMANTIC And STRUCTURAL ASPECTS. The dissertation on competition of a scientific degree of a Cand.Phil.Sci. Samara - 2009. 2009

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