<<
>>

THE CONCLUSION

During the carried out research by us it is established, that the reference to dictionary (leksikograficheski certified) and

"vnutriproizvedencheskoj", to contextually caused semantics slavjanizmov in poetic creativity Vjazemsky allows to open those deep senses (ideologemy, kontsepty) which are connected with a Christian component poetic idiolekta; the phenomenon tserkovnoslavjano-Russian polisemii in poetry Vjazemsky is shown in a kind sopolozhenija or combination is sacral-religious (Christian) and sekuljarnyh values and senses, lingvisticheski opredmechivaemyh in the limited cases actually tserkovnoslavjanizmami, and in overwhelming majority by tserkovnoslavjano-Russian polisemantami both within one word usage, and in complete motivnyh complexes.

Research slavjanizmov confirms a hypothesis, consisting that poetic creativity Vjazemsky on all its extent (from the early "Arzamas" period to ispovedalnyh motives of 1860-1870th years) in the is art-world outlook and language relation has dual character: on the one hand, sekuljarno-secular (wordly), on the other hand, is sacral-religious (Christian); this duality is shown at all levels of the semantic organisation of products: from lingvomentalnogo level of a personal picture of the world, «the poetic

Philosophies »- through private motivnye and conceptual structures - to level of lexical semantics, in crossings Church Slavonic and wordly, language (usual) and speech (contextual, individual).

In chapter 1 methodological approaches to studying of a poetic diction Vjazemsky, concept of is sacral-religious (Christian) making semantics slavjanizmov, concepts and terms slavjanizm and tserkovnoslavjanizm, sotsiokulturnye and lingvomentalnye have been considered
The factors causing features of functioning slavjanizmov in poetry Vjazemsky.

It has been established, that the methodological bases of research slavjanizmov in poetry Vjazemsky fall outside the limits antropotsentricheskogo the linguistic approach in sotsiokulturnyj, include as actually linguistic aspects (istoriko-semasiological, leksikologichesky, lingvokulturologichesky), and wider - sotsiokulturnyj, istoriko-biographic, aksiologichesky. Possibility and expediency of application of concept tserkovnoslavjano-Russian polisemii to functioning studying slavjanizmov with Christian semantics in poetry Vjazemsky have been revealed; this concept is necessary in a representation basis about sacrally-sekuljarnoj polyfunctionality slavjanizmov in Russian poetic speech.

In the second chapter criteria of revealing slavjanizmov with obvious or latent (contextually dependent) is sacral-religious Christian semantics or its components have been considered, the revealing technique actually tserkovnoslavjanizmov and tserkovnoslavjano-Russian polisemantov in idioleksikone Vjazemsky is opened, the quantitative and qualitative structure of a file slavjanizmov is characterised, the estimation of dynamics of use slavjanizmov in poetic products of three periods of creativity is given leksikoyostatisticheskaja, the importance of "cultural memory» slavjanizmov in sacral-sekuljarnoj to a world picture, «poetic philosophy» Vjazemsky is opened.

It has been established, that semantic classification slavjanizmov, relevant for judgement of a Christian making poetic picture of the world Vjazemsky, includes three groups: 1) sekuljarnye slavjanizmy;

2) actually tserkovnoslavjanizmy (including Christian religionimy);

3) tserkovnoslavjano-Russian polisemanty in which the next image reflects dual character of mentality of the Russian intellectual elite of XIX century.

From among criteria of revealing occurring in Russian philology slavjanizmov and tserkovnoslavjanizmov (genetic, semantic, stylistic, diskursivnyj) with reference to studying of a Christian component of a poetic diction it is expedient to lean on semantiko-diskursivnyj.

The decision of a problem of revealing tserkovnoslavjanizmov and tserkovnoslavjano-Russian polisemantov in idioleksikone Vjazemsky is expedient for making on the formalized procedure, appropriating the term slavjanizm operational sense «a vocable (a header word of an entry), present at least in one of authoritative dictionaries of Church Slavonic language».

In the third chapter it has been considered lingvopoeticheskaja a role of some tserkovnoslavjano-Russian polisemantov, which lingvisticheski opredmechivajut sacrally-sekuljarnye semantic centres, organizujushchie integral motivnye the complexes essential in a picture of the world, «poetic philosophy» Vjazemsky. It is established, that features of a personal picture of the world, «poetic philosophy» Vjazemsky, caused

By interaction sekuljarnogo and Christian aspects of semantics slavjanizmov, are most visually shown in motivnyh the complexes displaying a duality author's "I" and sacrally-sekuljarnuju duality of poetic time, and also in tanatologicheskih motives of late lyrics.

The received results allow to conclude, that creativity Vjazemsky, understood as based on Christian values, requires in new sotsiokulturnom and teolingvisticheskom perusal. The discretion of those implicit for the modern reader of Christian values slavjanizmov which for Vjazemsky as carrier not only new European, but also traditional Russian orthodox culture were organic means miroosmyslenija and self-expression is necessary.

Continuation of the given research sees in use of the received material for planning and detailed studying
Functioning in poetic speech both separate tserkovnoslavjanoyorusskih polisemantov, and their groups. The expediency of research slavjanizmov in poetry Vjazemsky is caused by attention consistently increasing in modern Russian philology to displays of "spiritual realism» in the Russian literature, for which studying it is necessary to use not only traditional for history of Russian literary language (including language of Russian poetry) ponjatijnoyoterminologichesky the device, but also that toolkit which is connected with teolingvistikoj and philological germenevtikoj, lingvokulturologiej and lingvokontseptologiej.

<< | >>
A source: Borodina Ekaterina Jurevna. SLAVJANIZMY In the POETIC DICTION of the Item And. The VJAZEMSKY. The dissertation on competition of a scientific degree of a Cand.Phil.Sci. Tver — 2019. 2019

More on topic THE CONCLUSION:

  1. the Conclusion
  2. THE CONCLUSION
  3. THE CONCLUSION
  4. the Conclusion
  5. the Conclusion
  6. THE CONCLUSION
  7. the Pathomorphologic conclusion
  8. THE CONCLUSION
  9. THE CONCLUSION
  10. THE CONCLUSION
  11. THE CONCLUSION
  12. THE CONCLUSION
  13. the Conclusion
  14. THE CONCLUSION
  15. the Conclusion
  16. THE CONCLUSION
  17. THE CONCLUSION
  18. the Conclusion